When I was in
India in the 1970s I thought of going to Afghanistan specifically to see the
great Buddhas of Bamiyan. I had the time, the money and the interest. As it
happens, I kept putting this trip off and in the end never got around to it. If
the various schemes for resurrecting the Buddhas ever comes to pass; constructing copies, projecting some sort of
hologram onto the niches where they once stood, etc. I probably won’t go.
Looking at a reproduction of an original has always seemed to me to be rather
pointless. For me, the great Buddhas that once fascinated the world but now
they’ve gone for ever. Recently I browsed through the Llewelyn Morgan’s Buddhas of Bamiyan, (2012, 221 pages) which despite containing nothing new and being
padded with a lot of the usual commonplaces about “the Silk Road”, is not a bad
account of these great ancient marvels. The Further Reading section is excellent.
The truth is that we know very little about the history of the Buddhas, certainly
not enough to fill more than a pamphlet.
The fullest account, merge though it is, of Bamiyan and its Buddhas is found in the travelogue of the
famous Chinese pilgrim Xuanzang with a few extra facts included in his biography.
“To the northeast of the royal city
there is at a corner of the mountain a rock standing statue of the Buddha one
hundred and forty or fifty feet high, a dazzling golden color and adorned with
gems. To the east here is a monastery built by a former king of the country.
Further east of this monastery is a standing statue of the Buddha in copper
more than a hundred feet high. It is
made of separate pieces which were then welded together. In another monastery two or three li east of the city there is a recumbent
image of the Buddha depicted attaining Nirvana more than a thousand feet long.
It is here that four times a year the king holds an assembly in which he offers everything from his queen
down to the national treasury to the monks.
When everything has been given he then gives himself to the monks and
then his officials pay the monks a ransom to get himself and his queen back.”
The second statue at Bamiyan was not made of copper as Xuanzang thought, but
rather was sheathed in copper plates. In 2008 archaeologists announced that
they had discovered the remains of the reclining Buddha mentioned by the pilgrim. There is a much defaced large sitting Buddha
in Bamiyan too which Xuanzang did not mention; perhaps because it was built
after his visit. He did mention however,
that there ten monasteries in and around Bamiyan housing
several thousand monks, two of them, Aryadasa and Aryasena, revered
for their deep learning. When Xuanzang first turned up in the city, the king
and the inhabitants were amazed to that he had come all the way from China and
they treated him with great hospitality and guided him around all the sights.
There are a few
very brief mentions of the great Buddhas by Islamic travellers and historians, the longest by the great polymath Al Kindi (801-873). In his Kitab al Fihrist he writes: “They have two idols, one of which is
called the Gold-red Buddha and the other
White Buddha. Their forms are carved out of the sides of the great valley, cut
from the rock of the mountain. The height of each one of them us 80 cubits, so
that they can be seen from a great distance… [The] people of India go on pilgrimages to these
two idols, bearing with them offerings, incense and fragrant woods. If
the eye should fall upon them from a distance, a man would be obliged to lower
his eyes, overawed by them.”
Parts of Afghanistan
were conquered by Arab armies by the end of the 8th century but in eastern region
Buddhism may have lingered for another 300
years. Arab sources speak of Bamiyan
being “converted” at least three times: in
754-75; again in 775-85; Then in 870. An Arab strongman captured the city
and sent as loot “fifty idols of gold
and silver” to Baghdad, suggesting that
the monasteries were not surviving but thriving at that date. Even in an
inscription dated 1078 a local official was able to describe himself as a “monastery
keeper”. What finished off Bamiyan’s
Buddhism was the Mongol invasion of 1221 which left not just the city and the
monasteries but the whole region devastated.
The Taliban were
not the first people to try to destroy the Buddhas, Islamic iconoclasts
had been hacking away at them for
centuries. The Emperor Aurangzeb ordered cannons to blast the statues as did a
later Persian king in the 18th century. Both attempts damaged but
did not destroy the statues.
In 1847 the then king of Afghanistan succeeded in having the faces cut
off. Holes were made in the front of the heads and wooden pegs were hammered
into them until finally huge slabs with the facial features on them split off
and crashed to the ground. The only
reason the images were never completely destroyed was that they were simply too
big.
While
I think that the final destruction of the Buddhas of Bamiyan was a tragedy from
a cultural and archaeological point of view, I don’t think it was significant
as far as Buddhism is concerned. I am not a great fan of big Buddhas. I
consider them a waste of resources that could and should be better used for
Dhamma activities. Grandiose monuments are no substitute for projects to
clarify and promote the Dhamma.
1 comment:
Hi Bhante.
This is a great blog about the Buddhas of Bamiyan valley. About as much information as I have seen anywhere else for sure. Amazing how these monuments became a kind of ongoing manifestation of negativity as they gradually succumbed to their fate. How is it that the manifestations of human perfection, became a macabre expression of the worst of humanity? A rhetorical question of course. Their final destruction in February, 2001 seemed to be a deliberate piece of theatre for a global audience. To my mind the whole finale was designed to taunt those who called for their preservation, perhaps even an intended harbinger of the WTC destruction later that year. Osama Bin Laden's coteri including Mullah Omar were aware of OBL's intention for the WTC. When people uninformed about "all things Buddhist" ask me (occasionally) what a Buddha statue or image represents, I tell them that IMHO, the Buddha statue is a representation of them, or more particularly a representation of the viewer, perfected, rather than only a commemoration of the one who became the historical founder of Buddhism. Of course it is this too. But when I suggest the reflective quality of the image, in my experience this becomes surprisingly meaningful to the viewer, a kind of Zen moment if you will. To me a little part of us all, died when the the Bamiyan Buddhas were turned to dust. I would like to say, finally, that when I determined to become a Buddhist, way back in 1984, I made preparation in my bedroom to do a mini Puja. I had nearly all the necessary requisites, incense, candles, flowers and I memorized the five precepts, the three refuges and the homage. What I lacked was a Buddha rupa/statue and so, lacking the resources to procure a Buddha statue, I used a photocopied page from a recent Sri Lanka News which had an interesting article on Buddhism and imbedded in the text was a grainy B&W image of the Buddha image from the Maha Bodhi temple in India. I still have this photocopied image in my meditation space to this day. Thus I was able to precept myself as a Buddhist. Thanks again Bhante for your informative Blog.
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