We often think of ourselves as living in a society of great sexual license and experimentation and assume that in this respects we are different from previous generations. A quick look through the Parajika section of the Vinaya will show that actually nothing is new when it comes to sex; that it has all been done before. The Vinaya is familiar with bestiality, various fetishes, incest, auto-sodomy, necrophilia, frotteurism (I had to look this one up in the encyclopedia) and several other types of sexual behavior not yet clinically named. It even mentions a monk who had - how can I put this? - a very close relationship with a wooden doll! (Vin.II,35).
And if that doesn’t convince you that nothings new, read the Kama Sutra’s section on rough sex, group sex, sex toys and penis enlargement. If you intend doing so, avoid Richard Burton’s translation, the most widely available and the most unreliable. Burton misunderstood much of the terminolog
y and left out several sections, not because he thought them too racy for Victorian readers, but because he couldn’t make head nor tail of them. Alain Danielou’s The Complete Kama Sutra is better but he imposes too many of his own prejudices into the text and I still don’t know what ‘buccal coitin’ is supposed to be a translation of. One good thing about Danielou’s book is his inclusion of selections from Yasodhra’s commentary which is not available anywhere else in English. Indra Sinha’s translation is very good and includes selections from the important but less well-known Koka Sastra and Anangra Ranga. Some editions also include reproductions of beautiful miniatures, not it should be noted, those poor quality fakes that were made for English tourists in the early 20th century and which are usually used to illustrate editions of the Kama Sutra. However, by far the best translation of the Kama Sutra is that of Wendy Doniger and Sudhir Kakar, recently published by Oxford World’s Classics.
And if that doesn’t convince you that nothings new, read the Kama Sutra’s section on rough sex, group sex, sex toys and penis enlargement. If you intend doing so, avoid Richard Burton’s translation, the most widely available and the most unreliable. Burton misunderstood much of the terminolog
y and left out several sections, not because he thought them too racy for Victorian readers, but because he couldn’t make head nor tail of them. Alain Danielou’s The Complete Kama Sutra is better but he imposes too many of his own prejudices into the text and I still don’t know what ‘buccal coitin’ is supposed to be a translation of. One good thing about Danielou’s book is his inclusion of selections from Yasodhra’s commentary which is not available anywhere else in English. Indra Sinha’s translation is very good and includes selections from the important but less well-known Koka Sastra and Anangra Ranga. Some editions also include reproductions of beautiful miniatures, not it should be noted, those poor quality fakes that were made for English tourists in the early 20th century and which are usually used to illustrate editions of the Kama Sutra. However, by far the best translation of the Kama Sutra is that of Wendy Doniger and Sudhir Kakar, recently published by Oxford World’s Classics. Although written many centuries after the Buddha (perhaps 4th century CE), the Kama Sutra helps to give some background to the early Buddhist attitude to sensuality; the second of the two extremes which the Middle Way avoids.






Next time you are in India and if you happen to be visiting the holy places in Bihar, make a point of going to the Patna Museum. Its your typical Indian museum; housed in a once grand but now badly neglected British-period building, poor lighting, sometimes no lighting, dusty display cases, poor labeling and a book shop displaying a range of publications, none of which are available. The only innovation over the last 40 years seems to be that foreigners now have to pay R. 100 instead of the traditional 50 paice to get in. But for all that, the Patna Museum is a treasure-house of Buddhist art. There are Buddhas and bodhisattvas, Tantric deities and nagas and most of the bronzes from Kurkihar are there too. You could spend hours gazing at these products of Buddhist devotion. To me though, the finest pieces on display are a statue of Avalokitesvara and another of Maitriya which were originally placed on either side of a Buddha which happens to be in the museum also. The Buddha is okay but does not have the delicate proportions and the smiling expressions of its companions. It is also a little stiff and formal whereas the bodhisattvas have a pleasing, almost sensuous, fluidity. The eyes of both are downcast – Avalokitesvara as if to say; ‘I understand your pain’ and Maitriya as if whispering; ‘Be patient. I will come in good time.’

Next month, starting on the 12th I intend to examine everything the Buddha says about sex and sex-based relationships – no holes bared. No, wait! That last expression didn’t come out right. Please ignore.

